Conclusion
The following sources have been used in compiling this site:
Bloom, Harold., ed. Joseph Conrad's Heart of Darkness: Modern Critical Interpretations. New York: Chelsea House, 1987.
Conrad, Joseph. Heart of Darkness. New York: Dover Publications, 1990.
Kimbrough, Robert., ed. Heart of Darkness: A Norton Critical Edition. 3rd ed. New York: Norton, 1988.
All excerpted essays have been taken from:
Murfin, Ross C., ed. Heart of Darkness: A Case Study in ContemporaryCriticism. New York: St. Martin's, 1989.
Thanks to the students in my fourth and fifth hour senior literature classes for making this project a success.
A special thanks to the students artists who contributed to this site: Emily Cornell (Outer Station and Inner Station), Ryan Stegink (The Docks), and C.J. DeBruyn (Introduction, Sepulchral City).
Bloom, Harold., ed. Joseph Conrad's Heart of Darkness: Modern Critical Interpretations. New York: Chelsea House, 1987.
Conrad, Joseph. Heart of Darkness. New York: Dover Publications, 1990.
Kimbrough, Robert., ed. Heart of Darkness: A Norton Critical Edition. 3rd ed. New York: Norton, 1988.
All excerpted essays have been taken from:
Murfin, Ross C., ed. Heart of Darkness: A Case Study in ContemporaryCriticism. New York: St. Martin's, 1989.
Thanks to the students in my fourth and fifth hour senior literature classes for making this project a success.
A special thanks to the students artists who contributed to this site: Emily Cornell (Outer Station and Inner Station), Ryan Stegink (The Docks), and C.J. DeBruyn (Introduction, Sepulchral City).